November’s golden leaves evoke memories of families gathered around tables overflowing with traditional foods, stories long forgotten, and laughter echoing across the years. Here’s a poem I wrote, one of remembering a moment long ago that has never faded from my mind.
Madonna and Child: Oil on Wood Panelby Mary Lynn Bracht
I forgot until she did it
My mother reached up and stroked the Virgin’s face
Is this real, she asked, turning to look at me over her shoulder
My eyes couldn’t meet hers, instead
I stared at her fingertips, still pressed against the painting
And wondered what it felt like to touch history
Four hundred years ago in the jungles of Central America
Madonna and child gazed down at the pagan natives
With their Catholic eyes gilded in gold
I wanted to ask her if the holy family felt warm or cold
Greasy or dry, what did touching them make my mother feel?
But then I wondered what she meant by Is this real?
Did she mean the painting
Or the Virgin’s story?
And then I remembered
I had the same urge when I was young, to touch
What was forbidden, at sixteen
My own fingertips grazed the toes
Of Zeus, standing in silence in the Louvre
The cold marble was smooth
An electric spark shocked through my skin
When a boy caught me, and grinned
So when I finally met my mother’s eyes, I did the same
She had crossed centuries with one forbidden touch
I came across this old book of poems on my father’s bookshelf today. It was one of his college texts, and I’d often leaf through it when I was a girl, paying close attention to the poems he marked up in pencil. My favorite back then was Trees by Joyce Kilmer (‘I think that I shall never see a poem lovely as a tree…’), but tonight this one stood out instead. Especially the final lines: ‘I am the master of my fate; I am the captain of my soul.’
For 2018, may we all become our own masters and captains.
The animated skies above Lake Windermere doubtless inspired lesser poets than Wordsworth, their prose just as romantic and picturesque. I imagine a young poet gazing up at billious clouds burdened with snowflakes and the words spring forth in his mind, a ready poem to share with the world. But like so many youth inspired by greatness, he questions the worth of the words he scrawls and their originality, too. Has he made something worthwhile, something to remember? He recites his favorite line aloud as a cold shadow passes over him,
“Hung o’er a cloud, above the steep that rears, its edge all aflame, the broadening sun appears; a long blue bar it’s aegis orb divides, and breaks the spreading of its golden tides; and now it touches on the purple steep, that flings his shadow on the pictured deep.”
and he lets his own lines float away on the gentle waves lapping against the shore.