This small yet powerful exhibition at Blaine|Southern Gallery London ends in a week (19 January). If you haven’t seen these blood red threads painstakingly hand-sewn by the artist in person, you’re definitely missing out. Born in Japan and based in Berlin, Shiota’s massive yarn installation symbolizes the body’s internal connection to the neurons within the brain, while the feet cast from her own, connect with the ground, the world, the universe. It’s a free exhibit not to be missed.
Remembering the Marikana massacre of mine workers in South Africa in 2012. By artist Haroon Gunn-Salie, Senzenina (2018), the surrendering bodies have no heads and no hands, as though their minds and their physical agency are removed by the state. Primeval and shocking, it is worth a visit.
I spent the day immersed in Lee Bul’s surreal world of futuristic and sometimes brutal art on exhibit at the Hayward Gallery London. She creates obscene beauty and entire worlds with everyday materials. My favourite display was her porcelain sculptures of robot parts, which fuses old Korea’s traditional celadon pottery with steampunk fiction. They could very well be unearthed relics from some future civilisation, dug up and glued back together by archaeologists of tomorrow. The exhibition ends 19 August so make it down there before it ends! It’s well worth the visit. Link
Anselm Keifer’s post-apocalyptic industrialesque Norse inspired art exhibition at White Cube.
It could be graffiti, it could be art, but it reminded me of war, half baked, quickly executed, with unknown fallout…a disaster in black and polluted white.
‘The Song of May’ by Jung Jinsoo 1988
National Museum of Korean Contemporary History